Beautiful 1900 fefinished Hamilton Player piano. This wonderful piece is completely restored and in excellent working condition and plays discs and comes with approximately 32 discs. This exquisite piece of furniture is complete with manual and instructions. Please e-mail with any questions. Thanks for looking. Buyer is responsible for pick up and/or shipping. Location: Billings, Montanaits NOT ok to contact this poster with services or other commercial interests

I have a Peavey 412 cab that I used in a band for awile. I am moving and I really dont have space for it anymore. I took REALLY good care of it. It sounds great the speakers sound brand new. It has a few scuffs but nothing that bad. The sign and bottle caps are held onto the grill with wire and I will be taking them off. I am asking 350 for it, but make an offer it never hurts to ask. If you have any questions feel free to call me at (406)-690-0575. Thanks Location: Billings, MTits NOT ok to contact this poster with services or other commercial interests

This is a gorgeous guitar! I purchased it brand new last year from a music store...I hate to part with it, but college tuition is due! Retails for nearly $5000.00 Gibson Acoustic s master luthiers have recreated a legend.The SJ-200 Standard acoustic guitar delivers the look, feel, and sound of Gibson s original Super Jumbo as it first appeared in 1937. The SJ-200 was originally built to cut through the loudest acoustic ensembles, but ended up defining the new American music scene of the 1930s on its way to becoming the world s most famous acoustic guitar. The SJ-200 Standard sings with deep, well-balanced tone and powerful soundGibson LogoThe Gibson name has graced the most innovative and revolutionary acoustic guitars of our time—the Super Jumbos, the J-45, the Hummingbird, the Dove. There is no mistaking the classic, mother-of-pearl logo, pressed onto the face of the headstock. It represents more than a century of originality and excellence. There is simply no equal.Gold Gotoh Green Button TunersGibson s SJ-200 Standard features Gotoh s green button, Kluson-style tuners. With a gear ratio of 15:1, these Gotoh tuners deliver precision tuning in a durable housing that provides maximum protection for the gear and string post. All moving parts are cut for exact meshing, eliminating the possibility of slippage, with a special lubricant inside the gear box for smooth and accurate tuning stability.Crown Peghead LogoGibson put the first crown peghead logo on an ES-300 back in 1940, and it has graced the headstocks of many legendary Gibson guitars ever since, including today s SJ-200 Standard. Over the years, it has also been called a \"thistle\" because of the group of flowering plants with the sharp prickles, though Gibson has preferred to call it a \"crown.\"Rosewood Fingerboard with Traditional Binding and Graduated Crown InlaysThe fingerboard of Gibson s SJ-200 Standard is constructed from the highest grade rosewood on earth, which is personally inspected and qualified by Gibson s team of skilled experts before it enters the Gibson factories. The resilience of this durable wood makes the fingerboard extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The SJ-200 s graduated crown inlays are made of genuine mother of pearl, and are inserted into the fingerboard using a process that eliminates gaps and doesn t require the use of fillers. The fingerboard also sports traditional binding over the fret ends, which was a staple feature of many classic Gibson acoustics for many years.Tapered Dovetail Neck JointThe dovetail neck joint is one of the oldest—and best—ways of securely joining the neck to the body of a guitar. It is also a complex and expensive neck joint to build, but the result is a tight, locking connection that supports the neck at the proper neck-pitch angle, allowing the body and neck to become one solid piece of resonating wood, with no metal to impede vibration. This process is done entirely by hand, requiring patience and skill.Body Tonewoods (back, sides and top)The top of the SJ-200 Standard is made from beautiful AAA-grade Sitka spruce, while the back and sides are constructed from AAA-grade Eastern curly maple, giving the SJ-200 Standard all the deep, well-balanced tone and powerful sound of Gibson s celebrated Super Jumbos. Selecting the right wood, and the formula to dry it out, are two of the most central procedures to Gibson s guitar-building process. Beginning with its first catalog in 1903, Gibson has assured its customers that every guitar would be built using woods with \"the most durable, elastic, and sonorous qualities,\" and today s guitars from Gibson Acoustic are no different.L.R. Baggs Active Element Acoustic PickupGibson Acoustic s J-200 Standard comes equipped with the popular Element Active Acoustic Pickup System from L.R. Baggs, which features a low-profile undersaddle element or transducer that s proven more stable and durable than many standard ribbon-type pickups. Combined with an onboard preamp with an unobtrusive volume control mounted just inside the soundhole, the Element delivers performance not previously attainable from an undersaddle pickup. Its sleek and effective design removes unnecessary internal components to enhance the coupling between the pickup and the guitar, and improve the sensitivity of the transducer for a robust, lively, and natural acoustic sound with excellent dynamics and delicate high end. The Element works with a standard 9V battery, which is housed inside the guitar in L.R. Bagg s new Battery Bagg. BracingEvery acoustic guitar made by Gibson features hand-scalloped, radiused top bracing inside the body, a feature normally found only in limited-run, hand-made guitars. By scalloping each brace by hand, the natural sound of the acoustic is focused more toward the center of the body, enhancing the instrument s sound projection. The lightweight bracing pattern inside the SJ-200 Standard is the same pattern used in Gibson s first Super Jumbo in 1937—constructed to support and strengthen a very large surface, thus allowing the top more freedom of movement to vibrate and project sound. The placement of the braces inside the SJ-200 Standard also creates powerful, deep lows with full frequency range. The result is the incredibly balanced, huge sound that Gibson s Super Jumbos are so noted for.PickguardThe tortoise pickguard for the SJ-200 Standard is. Gibson s standard Super Jumbo shape, hand-engraved with the SJ-200 s traditional floral and vine design, surrounded by a cream-colored border with yellow and orange dots—exactly as it appeared in 1937. As with all of Gibson Acoustic s pickguards, the coloring, inlay, and binding are all constructed by hand.RosetteA rosette is the beautiful, hand-crafted circle around the soundhole, and can be one of the most ornamental elements of any acoustic guitar. It is also one of the most subtle and complicated woodworking decorations on any acoustic guitar. The rosette on the SJ-200 Standard is a double-ring rosette, with the main ring consisting of seven-ply binding, and the second ring three-ply binding, adding a stylish, understated elegance to the SJ-200 Standard.Radius TopThe top of many flat-top guitars are under a lot of stress from the pull of the strings, which can eventually compromise the top. So, while most acoustic guitars are true flat-top guitars, all of the acoustics produced by Gibson in Bozeman, Montana have a radiused, or tuned top. Instead of being perfectly flat, a radiused or tuned top is raised slightly, and a special instrument is used to shape the top braces to the radius of the top. This process adds tension and strengthens the top, creating a less stressful joint where the top meets the sides and reducing the stresses of string pull. It also results in a speaker cone effect that maximizes sound projection, adding a significant boost to mid-range levels for a more balanced acoustic tone.Nitrocellulose FinishApplying a nitrocellulose finish to any Gibson acoustic guitar—including the SJ-200 Standard—is one of the most labor-intensive elements of the guitar-making process. Unlike the polyurethane finishes used by many guitar manufacturers, a nitrocellulose lacquer finish is porous when cured, allowing the wood to naturally breathe and mature. Microscopically thin, many finish colors require up to seven evenly applied layers to complete, each of which is inspected, leveled, and wet polished between coats for a glass-like finish. The time-consuming nature of a nitro finish has been employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish means there is less interference with the natural vibration of the instrument, allowing for a purer tone. It s also a softer finish, making it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can t do the same on a poly finish.Body BindingIn general, a guitar s binding serves as a cosmetic feature, adding a subtle elegance to any Gibson acoustic while hiding the joints between the top, back, and sides, and helping to protect the guitar s body from any nicks or dings. But to see the process of putting the binding on a Gibson acoustic is to really appreciate the effort and attention put into each instrument. After the body has been glued together, the excess from the top and back are trimmed off and a groove is cut for the binding. The binding is then glued on and held on to the body using tape, and hung to dry. When the tape comes off, any excess glue is removed and the body is moved into the next phase of production. It has been done the same way for over 100 years, and is a fundamental part of Gibson Acoustic s rich guitar-making history.BridgeThe bridge on the J-200 Standard has abalone inlaysGibson SJ-200 Standard Acoustic-Electric Guitar Specifications:Type: Steel-string Super Jumbo acoustic-electric guitar Top Material: Solid Sitka spruce Back wood: Eastern curly maple Side wood: Eastern curly maple L.R. Baggs Element Active Acoustic Pickup System Finish: Lacquer Neck wood: Maple Fretboard: Rosewood Scale length: 25-1/2\" Nut width: 1.725\" Neck joint: Set-in Number of frets to body: 20 Pickup: yes With case: Hardshell Number of Strings: 6 Gibson SJ-200 Standard Acoustic-Electric Guitar Features:Gold Gotoh green button Tuners Crown peghead logo Rosewood fingerboard with traditional binding and graduated crown inlays Tapered dovetail neck Nitrocellulose finish Gibson SJ-200 Standard Acoustic-Electric Guitar Includes: Location: Billings, MTits NOT ok to contact this poster with services or other commercial interests

I have for sale a set of Hardie bagpipes that have hardly ever been used. They were bought in the 70s from the Scottish Shopper in WA. Original chanter. Hide bag. Email for pictures. Look brand new. Case included. I have have them a couple of years. The person that I had bought them from had them for more them 20 years and never learned how to play them. I set them up with a set of reeds and tried them out. Nice clean bores. Email for pictures and more information. Reeds not included in sale. Also have a set of Drumran highland pipes that I will be selling. Patrick Location: Billingsits NOT ok to contact this poster with services or other commercial interests

Full Size Herman Lowendall Violin # v0490 Famously beatifull sound, Wonderfull historycase includedCall for showing406-248-2570 Location: Billingsits NOT ok to contact this poster with services or other commercial interests

BBE 482i Sonic Maximizer2-ChannelBox and ManualRackmount1/4\" and RCA connectionsWill trade for Sonic Stomp w/ adapterFor those wanting to ship, add $20 to asking price and we will use PayPal for funds transferDan Hansen(406) 661-9449 Location: Billingsits NOT ok to contact this poster with services or other commercial interests

Like new OrbiTone Drumset in excellent shape barely used, call (406) 371-5955 Location: Billingsits NOT ok to contact this poster with services or other commercial interests

Taylor Baby guitar, 3/4 size, perfect for children or beginners. Incredible sound for size of guitar. Comes with softshell case pictured. Jim 450-1859 Location: Billingsits NOT ok to contact this poster with services or other commercial interests

OrbiTone Drumset barely used in excellent condion $450 obo.Call:(406) 371-5955 Location: Billingsits NOT ok to contact this poster with services or other commercial interests

Im getting rid of a lot of my gear to pay for college unfortunately this has to go :( The pod has great tone, and awesome effects. it has a few scrapes here and there but it works perfectly. I bought it new a year ago, it comes with the box and the power supply, I bought it new for 230$ im asking 140$ feel free to make an offer Email me at carnoldmathews@yahoo.comThanks........The industry standard for direct recording in the studio, POD ® 2.0 delivers the tones heard on hit records everywhere. For practice, its the ultimate way to get inspiring, stage-perfected tones with headphones. In the studio, you can become more productive and creative. You can instantly get the sounds you need! Classic clean to modern high-gain tones all perfectly dialed in. POD 2.0 guitar effects processor allows you to quickly choose amps and effects without the long set up times and expensive equipment.Are you frustrated trying to record great guitar amp sounds? POD ® 2.0 is the answer. You get a wide variety of classic and modern guitar sounds with convenient, easy-to-use effects built right in. Line 6s revolutionary A.I.R.™ modeling accurately captures the tone and feel of speaker cabinets, microphones, and studio room characteristics for an amazing recorded sound direct to any recording setup or PA. Sounds like having a great amp micd by a great engineer in a great studio!EffectsPOD ® 2.0 comes with a built in set of effects that are tweaked to perfection. This \"best of\" collection of effects makes searching for the perfect sounds ultra easy. Multiple versions of the effects give you rack or stompbox versions, and the combination effects give you classic setups like Delay and Chorus simultaneously.Theres even a full time Reverb, Tap Tempo for getting your delays in time with the band, and an Effect Tweak knob for custom tailoring your effects. Plus, youll never be out of tune because youll get a Chromatic Tuner with a silent mute function for tuning between songs.Ins and outsPOD ® is equipped to handle todays guitar recording needs with +4dBu balanced or -10dBV unbalanced 1/4\" connectors. MIDI lets you automate every move and Line 6s optional FBV™: generation foot controllers let you do it all with your feet. POD 2.0 also comes with a high-power headphone output for silent jamming.Left & Right Output - These are balanced 1/4\" TRS connectors, and ready to rock with pro +4 dBu balanced equipment. They will also work happily with unbalanced -10 dBV equipment and standard guitar cables.A.I.R.™: Mode If you want to plug POD into a guitar amp as front end, flip the A.I.R. Mode switch to AMP, and set your amp for a clean tone. This defeats the speaker-microphone-room tone simulation of the A.I.R. processing. If youre using POD in almost any other setup (plugging direct into a mixer, recorder, PA, power amplifier, etc.) you want the DIRECT position on the A.I.R. switch.Foot Pedal Connector - POD ® 2.0 is now compatible with the entire line of current foot controllers including FBV Express™: and FBV Shortboard™: !MIDI In & Out - Connect POD to your MIDI equipment to select channel memories or automate POD settings.All Line 6 products come with Line 6s 24-7 customer support services. Use Line 6s automated help request system, access Line 6s discussion forums, and download software updates and user manuals, plus a lot more.* All product names used are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development.Line 6 POD 2.0 Guitar Multi Effects Processor Features:* Amp Models based on*:* 64 Fender ® Deluxe Reverb ®* 59 Fender ® Bassman ®* 68 Marshall ® Plexi 100 watt* Marshall ® JTM-45 meets Budda Twinmaster* 60 Tweed Fender ® Champ ®* Budda Twinmaster head* 65 Blackface Fender ® Twin Reverb ®* 60 Vox ® AC 15* 60 Vox ® AC 30 non-Top Boost* 85 Mesa/Boogie ® Mark IIc+ Clean Channel* 85 Mesa/Boogie ® Mark IIc+ Drive Channel* Dumble ® Overdrive Special Clean Channel* 95 Mesa/Boogie ® Dual Rectifier ® Head* 89 Soldano SLO Super Lead Overdrive* Dumble ® Overdrive Special Drive Channel* 1987 Roland ® JC-120 Jazz Chorus* Line 6 ® InsaneCabinet Models based on*:* 1960 Fender ® Tweed Champ ®* 1952 Fender ® Tweed Deluxe Reverb ®* 1960 Vox ® AC-15* 1964 Fender ® Deluxe Reverb ®* 1965 Fender ® Blackface Twin Reverb ®* 1967 Vox ® AC-30* 1995 Matchless Chieftain* 1959 Fender ® Bassman ®* 1996 Marshall ® with Vintage 30s* 1978 Marshall ® with stock 70s* 1968 Marshall ® Basketweave with Greenbacks* Line 6 ® 4x12* Line 6 ® 1x12* Line 6 ® 2x12* Line 6 ® 4x10POD 2.0 Effects* Compressor* Delay/Compressor* Tremolo Delay/Tremolo* Chorus 1* Delay/Chorus 1* Chorus 2* Delay/Chorus 2* Flanger 1* Delay/Flanger1* Flanger 2* Delay/Flanger2* Rotary Speaker* Delay/Swell* Delay* Reverb Location: billingsits NOT ok to contact this poster with services or other commercial interests

Fender a-style body, acoustic/electric, volume and tone control, comes with hardshell case, tailpiece not pictured but will be included. Great shape, hardly played, needs new strings. $125 OBO. Jim 450-1859 Location: Billingsits NOT ok to contact this poster with services or other commercial interests

Im getting rid of a lot of my gear to pay for college unfortunately this has to go :( The pod has great tone, and awesome effects. it has a few scrapes here and there but it works perfectly. I bought it new a year ago, it comes with the box and the power supply, I bought it new for 230$ im asking 140$ feel free to make an offer Email me at carnoldmathews@yahoo.comThanks........The industry standard for direct recording in the studio, POD ® 2.0 delivers the tones heard on hit records everywhere. For practice, its the ultimate way to get inspiring, stage-perfected tones with headphones. In the studio, you can become more productive and creative. You can instantly get the sounds you need! Classic clean to modern high-gain tones all perfectly dialed in. POD 2.0 guitar effects processor allows you to quickly choose amps and effects without the long set up times and expensive equipment.Are you frustrated trying to record great guitar amp sounds? POD ® 2.0 is the answer. You get a wide variety of classic and modern guitar sounds with convenient, easy-to-use effects built right in. Line 6s revolutionary A.I.R.™ modeling accurately captures the tone and feel of speaker cabinets, microphones, and studio room characteristics for an amazing recorded sound direct to any recording setup or PA. Sounds like having a great amp micd by a great engineer in a great studio!EffectsPOD ® 2.0 comes with a built in set of effects that are tweaked to perfection. This \"best of\" collection of effects makes searching for the perfect sounds ultra easy. Multiple versions of the effects give you rack or stompbox versions, and the combination effects give you classic setups like Delay and Chorus simultaneously.Theres even a full time Reverb, Tap Tempo for getting your delays in time with the band, and an Effect Tweak knob for custom tailoring your effects. Plus, youll never be out of tune because youll get a Chromatic Tuner with a silent mute function for tuning between songs.Ins and outsPOD ® is equipped to handle todays guitar recording needs with +4dBu balanced or -10dBV unbalanced 1/4\" connectors. MIDI lets you automate every move and Line 6s optional FBV™: generation foot controllers let you do it all with your feet. POD 2.0 also comes with a high-power headphone output for silent jamming.Left & Right Output - These are balanced 1/4\" TRS connectors, and ready to rock with pro +4 dBu balanced equipment. They will also work happily with unbalanced -10 dBV equipment and standard guitar cables.A.I.R.™: Mode If you want to plug POD into a guitar amp as front end, flip the A.I.R. Mode switch to AMP, and set your amp for a clean tone. This defeats the speaker-microphone-room tone simulation of the A.I.R. processing. If youre using POD in almost any other setup (plugging direct into a mixer, recorder, PA, power amplifier, etc.) you want the DIRECT position on the A.I.R. switch.Foot Pedal Connector - POD ® 2.0 is now compatible with the entire line of current foot controllers including FBV Express™: and FBV Shortboard™: !MIDI In & Out - Connect POD to your MIDI equipment to select channel memories or automate POD settings.All Line 6 products come with Line 6s 24-7 customer support services. Use Line 6s automated help request system, access Line 6s discussion forums, and download software updates and user manuals, plus a lot more.* All product names used are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development.Line 6 POD 2.0 Guitar Multi Effects Processor Features:* Amp Models based on*:* 64 Fender ® Deluxe Reverb ®* 59 Fender ® Bassman ®* 68 Marshall ® Plexi 100 watt* Marshall ® JTM-45 meets Budda Twinmaster* 60 Tweed Fender ® Champ ®* Budda Twinmaster head* 65 Blackface Fender ® Twin Reverb ®* 60 Vox ® AC 15* 60 Vox ® AC 30 non-Top Boost* 85 Mesa/Boogie ® Mark IIc+ Clean Channel* 85 Mesa/Boogie ® Mark IIc+ Drive Channel* Dumble ® Overdrive Special Clean Channel* 95 Mesa/Boogie ® Dual Rectifier ® Head* 89 Soldano SLO Super Lead Overdrive* Dumble ® Overdrive Special Drive Channel* 1987 Roland ® JC-120 Jazz Chorus* Line 6 ® InsaneCabinet Models based on*:* 1960 Fender ® Tweed Champ ®* 1952 Fender ® Tweed Deluxe Reverb ®* 1960 Vox ® AC-15* 1964 Fender ® Deluxe Reverb ®* 1965 Fender ® Blackface Twin Reverb ®* 1967 Vox ® AC-30* 1995 Matchless Chieftain* 1959 Fender ® Bassman ®* 1996 Marshall ® with Vintage 30s* 1978 Marshall ® with stock 70s* 1968 Marshall ® Basketweave with Greenbacks* Line 6 ® 4x12* Line 6 ® 1x12* Line 6 ® 2x12* Line 6 ® 4x10POD 2.0 Effects* Compressor* Delay/Compressor* Tremolo Delay/Tremolo* Chorus 1* Delay/Chorus 1* Chorus 2* Delay/Chorus 2* Flanger 1* Delay/Flanger1* Flanger 2* Delay/Flanger2* Rotary Speaker* Delay/Swell* Delay* Reverb Location: billingsits NOT ok to contact this poster with services or other commercial interests

Jackson Soloist EMG-HZ Passive PickupsString Thru Body DesignMahogany Neck and BodyBlack HardwareIncludes Hard Shell Jackson CaseVery Fast Neck and Super Light WeightDan Hansen(406) 661-9449 Location: Billingsits NOT ok to contact this poster with services or other commercial interests